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Roberto Gerhard's Sound Compositions: A Historical-Philological Perspective

TitleRoberto Gerhard's Sound Compositions: A Historical-Philological Perspective
Publication TypeThesis
Year of Publication2014
AuthorsGarcía-Karman, Gregorio
DegreeDoctoral Thesis
Date Published2015
UniversityUniversity of Huddersfield
CityHuddersfield
Thesis TypeDoctor of Philosophy
Keywordscomposition as process, early tape music, electroacoustic music preservation, Francoism, historically informed performance, magnetic tape sketches, media archaeology, musical borrowing, poietic analysis, re-enactment, sound archival, Spanish diaspora
URLhttp://eprints.hud.ac.uk/25442/
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Examiners: Prof. John Dack, Prof. Darren Sproston, Dr. Alexander Harker

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A commentary accompanying the publication portfolio submitted to the University of Huddersfield in partial fulfillment of the requirements for the degree of Doctor of Philosophy

Short TitleRoberto Gerhard's Sound Compositions (commentary of publications included in the thesis)
Refereed DesignationRefereed
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ggarciakarmanfinalthesis.pdf11.92 MB