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PUBLICATIONS

[ Type(Asc)] Year
Thesis
García-Karman, Gregorio. Roberto Gerhard's Sound Compositions: A Historical-Philological Perspective. Vol. Doctoral Thesis. Huddersfield: University of Huddersfield, 2014. (11.92 MB)
García-Karman, Gregorio. Annotated Catalogue of the Roberto Gerhard Tape Collection. University of Huddersfield (Submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy), 2014. (5.03 MB)
García-Karman, Gregorio. Metodología para el Análisis de la Música Electroacústica In Departamento de Historia del Arte III (Historia y Ciencias de la Música). Vol. Master's Diploma of Advanced Studies (DEA). Madrid: Universidad Complutense de Madrid, 2004.
Manuscript
García-Karman, Gregorio. "Nosotros acabamos llamándolo una 'dicta-blanda'" Interview with Andrés Lewin-Richter. Huddersfield: University of Huddersfield, 2014. (1.06 MB)
García-Karman, Gregorio. "La palpitante realidad no es estereofónica" Interview with José Luis de Delás. Huddersfield: University of Huddersfield, 2014. (925.15 KB)
García-Karman, Gregorio. “What a smashing bloke he was!” Interview with Dick Mills. Huddersfield: University of Huddersfield, 2014. (25.59 MB)
García-Karman, Gregorio. Roberto Gerhard's Tape Collection. Cambridge: Cambridge University Library, 2008. (108.19 KB)
García-Karman, Gregorio. Roberto Gerhard's Sound Archive at the Cambridge University Library. Cambridge: Cambridge University Library, 2007. (653 KB)
García-Karman, Gregorio. The spatialization of Karlheinz Stockhausen's Cosmic Pulses. Kürten: Stockhausen Foundation, 2007. (4.82 MB)
Magazine Article
García-Karman, Gregorio. "Über das Hören mit mehr als einem Ohr: Hermann Scherchens Nullstrahler." Journal der Künste, no. 2 (2017): 32-35.
Journal Article
García-Karman, Gregorio. "Sonido y Símbolo en 'Lament for the Death of a Bullfighter' de Roberto Gerhard." Quodlibet: Revista de Especialización Musical, no. 54 (2014): 53-92. (4 MB)
Conference Proceedings
García-Karman, Gregorio. Uprooted Sounds: International Electroacoustic Output of Spanish Pioneers in Times of Francoism In JIEM - Espacios Sonoros. Madrid: Universidad Autónoma de Madrid, 2013. (4.21 MB)
Adkins, Monty, Carlos Duque, and Gregorio García-Karman. Roberto Gerhard. The Electronic Music In International Computer Music Conference. Ljubljana, 2012. (1.11 MB)
García-Karman, Gregorio. Roberto Gerhard's Tape Collection: The Electronic Music In Proceedings of 1st International Roberto Gerhard Conference. Huddersfield: University of Huddersfield, 2010. (1.14 MB)
García-Karman, Gregorio. Una propuesta para la restauración electrónica de 'Planto por las víctimas de la violencia' de Cristóbal Halffter In Actas del Primer Congreso Internacional de Música y Tecnología Contemporáneas. Seville: University of Seville, 2006. (1.27 MB)
Simó, Agueda, and Gregorio García-Karman. Mimesis: a Visual and Musical Instrument In International Computer Music Conference. Barcelona, 2005. (1.64 MB)
Del Val, Jaime, Gregorio García-Karman, and Ricardo Gadea. Software development and hardware for the performance Morfogenesis. Interactive Systems for dance, electroacoustic music, video and virtual arquitecture. In Proceedings of Ciberart-Bilbao. Bilbao, 2004.
Conference Paper
García-Karman, Gregorio. "Gerhard's Caligula and the ONCE Group." In Perspectives on the Reception of Roberto Gerhard. Universidad de Alcalá: Huddersfield, 2013.
García-Karman, Gregorio. "Approaching the Analysis and Reconstruction of Early Tape Music based on Magnetic Tape Sketches." In Toronto Electroacoustic Music Symposium / CEC. Toronto: Canadian Electracoustic Community, 2013.
García-Karman, Gregorio. "The well-tempered Tapesichordist. On the Art of Domestic Sound Composition in the Cradle of the DNA revolution." In International Symposium on Music and Sonic Art, MUSA. Staatliche Hochschule für Musik, Karlsruhe, 2013.
García-Karman, Gregorio. "Music Against the Grain." In Protest Music in the XXth Century. Luca Lévi Sala ed. Centro Studi Opera Omnia Luigi Boccherini, Lucca, Italy: Ut Orpheus (Bologna, Italy), 2013.
García-Karman, Gregorio. "The Restoration Project of Roberto Gerhard's Tape Collection." In Conference of the International Association for Recorded Sound (IASA). Delhi, India, 2012.
Book Chapter
García-Karman, Gregorio. "Sound and Symbol in Roberto Gerhard's 'Lament for the Death of a Bullfighter'." In Essays on Roberto Gerhard, edited by Monty Adkins and Michael Russ, 223-260. Cambridge: Cambridge Scholars Publishing, 2017.
García-Karman, Gregorio. "Roberto Gerhard's BBC Sound Compositions." In The Roberto Gerhard Companion, edited by Michael Russ and Monty Adkins, 307-347. Aldershot (England): Ashgate, 2013.
García-Karman, Gregorio. "Closing the Gap between Sound and Score in the Performance of Electroacoustic Music." In Sound and Score, edited by Cathleen Coessens, Paulo de Assis and William Brooks. Leuven University Press, 2013. (6.26 MB)
Audiovisual
García-Karman, Gregorio. Cristóbal Halffter: Homo electricus. Stradivarius, 2015.
García-Karman, Gregorio. A Note on Roberto Gerhard's "Lament for the Death of a Bullfighter" & "Caligula": A Present for the ONCE Festival In Roberto Gerhard: Electronic Explorations from his Studio + The BBC Radiophonic Workshop. Early Electronic Series. Sub Rosa, 2014. (1.49 MB)