Submitted by ggkarman on
| Title | Roberto Gerhard's Sound Compositions: A Historical-Philological Perspective |
| Publication Type | Thesis |
| Year of Publication | 2014 |
| Authors | García-Karman, Gregorio |
| Degree | Doctoral Thesis |
| Date Published | 2015 |
| University | University of Huddersfield |
| City | Huddersfield |
| Thesis Type | Doctor of Philosophy |
| Keywords | composition as process, early tape music, electroacoustic music preservation, Francoism, historically informed performance, magnetic tape sketches, media archaeology, musical borrowing, poietic analysis, re-enactment, sound archival, Spanish diaspora |
| URL | http://eprints.hud.ac.uk/25442/ |
| Custom 1 | Examiners: Prof. John Dack, Prof. Darren Sproston, Dr. Alexander Harker |
| Custom 2 | A commentary accompanying the publication portfolio submitted to the University of Huddersfield in partial fulfillment of the requirements for the degree of Doctor of Philosophy |
| Short Title | Roberto Gerhard's Sound Compositions (commentary of publications included in the thesis) |
| Refereed Designation | Refereed |
File attachment:
| Attachment | Size |
|---|---|
 ggarciakarmanfinalthesis.pdf | 11.92 MB |