@article {208,
	title = {Historic Musical Artifacts at the Studio for Electroacoustic Music at the AdK},
	year = {2021},
	publisher = {Google Arts \& Culture},
	url = {https://artsandculture.google.com/story/GAURsLgJrrtH_w},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {207,
	title = {The Studio for Electroacoustic Music at the Academy of Arts in Berlin},
	year = {2021},
	publisher = {Google Arts \& Culture},
	url = {https://artsandculture.google.com/story/jAUh2hCwOfkYXw},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {200,
	title = {Berliner Wiederbegegnung {\textendash} Frederic Rzewski und Gerhard Steinke in Gespr{\"a}ch mit Gregorio Garc{\'\i}a Karman},
	year = {2019},
	month = {01/2019},
	pages = {40-42},
	issn = {2512-9082 (Deutsch Online)},
	url = {https://issuu.com/journalderkuenste/docs/jdk_09_issuu-de/40},
	author = {Gregorio Garc{\'\i}a-Karman and Frederic Rzewski and Gerhard Steinke}
}
@article {209,
	title = {Abseits des Pop. Interview mit dem Leiter des Studios f{\"u}r Elektroakustische Musik der Akademie der K{\"u}nste},
	volume = {41},
	year = {2018},
	month = {2018},
	pages = {58-71},
	type = {Interview},
	url = {https://studio-magazin.de/},
	author = {Garc{\'\i}a-Karman, Gregorio},
	editor = {Kootz, Friedemann}
}
@inbook {190,
	title = {Sound and Symbol in Roberto Gerhard{\textquoteright}s {\textquoteright}Lament for the Death of a Bullfighter{\textquoteright}},
	booktitle = {Essays on Roberto Gerhard},
	year = {2017},
	pages = {223-260},
	publisher = {Cambridge Scholars Publishing},
	organization = {Cambridge Scholars Publishing},
	chapter = {10},
	address = {Cambridge},
	issn = {978-1-4438-1108-8},
	author = {Gregorio Garc{\'\i}a-Karman},
	editor = {Monty Adkins and Michael Russ}
}
@article {191,
	title = {{\"U}ber das H{\"o}ren mit mehr als einem Ohr: Hermann Scherchens Nullstrahler},
	year = {2017},
	month = {04/2017},
	pages = {32-35},
	issn = {2512-9082 (Deutsch Online)},
	url = {https://issuu.com/journalderkuenste/docs/jdk_02_issuu},
	author = {Gregorio Garc{\'\i}a-Karman}
}
@article {15,
	title = {Crist{\'o}bal Halffter: Homo electricus},
	year = {2015},
	publisher = {Stradivarius},
	type = {CD},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@mastersthesis {29,
	title = {Annotated Catalogue of the Roberto Gerhard Tape Collection},
	year = {2014},
	month = {05/2014},
	school = {University of Huddersfield (Submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy)},
	type = {Catalogue},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {195,
	title = {"La palpitante realidad no es estereof{\'o}nica" Interview with Jos{\'e} Luis de Del{\'a}s},
	year = {2014},
	month = {05/2014},
	publisher = {University of Huddersfield},
	type = {(Submitted in partial fulfillment of the degreo of Doctor of Philosophy)},
	address = {Huddersfield},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {197,
	title = {"Nosotros acabamos llam{\'a}ndolo una {\textquoteright}dicta-blanda{\textquoteright}" Interview with Andr{\'e}s Lewin-Richter},
	year = {2014},
	publisher = {University of Huddersfield},
	address = {Huddersfield},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {66,
	title = {A Note on Roberto Gerhard{\textquoteright}s "Lament for the Death of a Bullfighter" \& "Caligula": A Present for the ONCE Festival},
	year = {2014},
	publisher = {Sub Rosa},
	type = {CD},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@mastersthesis {192,
	title = {Roberto Gerhard{\textquoteright}s Sound Compositions: A Historical-Philological Perspective},
	volume = {Doctoral Thesis},
	year = {2014},
	month = {2015},
	school = {University of Huddersfield},
	type = {Doctor of Philosophy},
	address = {Huddersfield},
	keywords = {composition  as  process, early tape music, electroacoustic music preservation, Francoism, historically   informed   performance, magnetic  tape  sketches, media archaeology, musical   borrowing, poietic  analysis, re-enactment, sound  archival, Spanish  diaspora},
	url = {http://eprints.hud.ac.uk/25442/},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {30,
	title = {Sonido y S{\'\i}mbolo en {\textquoteright}Lament for the Death of a Bullfighter{\textquoteright} de Roberto Gerhard},
	journal = {Quodlibet: Revista de Especializaci{\'o}n Musical},
	year = {2014},
	month = {02/2014},
	pages = {53-92},
	publisher = {Huddersfield / Cambridge},
	address = {Barcelona},
	keywords = {BBC, Gerhard, Lorca, Media archeology, Musical borrowing, Musique concr{\`e}te, Poietic analysis, Radioart, Symbolism},
	issn = {1134-8615},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {180,
	title = {{\textquotedblleft}What a smashing bloke he was!{\textquotedblright} Interview with Dick Mills},
	year = {2014},
	month = {05/2014},
	publisher = {University of Huddersfield},
	address = {Huddersfield},
	abstract = {Dick Mills is a veteran engineer at the Radiophonic Workshop who worked with Roberto Gerhard on several projects towards the end of the 1950s and the beginning of the 60s. The interview took place in the foyer of the Royal Festival Hall, London, 16 May 2012 (the concert venue in which Gerhard{\textquoteright}s Symphony No. 3 {\textquotedblleft}Collages{\textquotedblright} was premiered 51 years earlier, on 8 February 1961). The conversation revolves around Gerhard{\textquoteright}s works involving manipulated tape produced in collaboration with the Radiophonic Workshop such as Asylum Diary (1958), Lament for the Death of a Bullfighter (1959), Symphony No. 3 {\textquotedblleft}Collages{\textquotedblright} (1960), and The Anger of Achilles (1963). It also touches upon general aspects of the working methods at the BBC in the early days of the Workshop.},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@conference {65,
	title = {Approaching the Analysis and Reconstruction of Early Tape Music based on Magnetic Tape Sketches},
	booktitle = {Toronto Electroacoustic Music Symposium / CEC},
	year = {2013},
	publisher = {Canadian Electracoustic Community},
	organization = {Canadian Electracoustic Community},
	address = {Toronto},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@inbook {12,
	title = {Closing the Gap between Sound and Score in the Performance of Electroacoustic Music},
	booktitle = {Sound and Score},
	year = {2013},
	publisher = {Leuven University Press},
	organization = {Leuven University Press},
	chapter = {10},
	url = {http://upers.kuleuven.be/en/book/9789058679765},
	author = {Garc{\'\i}a-Karman, Gregorio},
	editor = {Coessens, Cathleen and de Assis, Paulo and Brooks, William}
}
@conference {31,
	title = {Gerhard{\textquoteright}s Caligula and the ONCE Group},
	booktitle = {Perspectives on the Reception of Roberto Gerhard},
	year = {2013},
	month = {9998},
	publisher = {Huddersfield},
	organization = {Huddersfield},
	address = {Universidad de Alcal{\'a}},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@conference {95,
	title = {Music Against the Grain},
	booktitle = {Protest Music in the XXth Century},
	year = {2013},
	month = {Forthcoming 2015},
	publisher = {Ut Orpheus (Bologna, Italy)},
	organization = {Ut Orpheus (Bologna, Italy)},
	edition = {Luca L{\'e}vi Sala },
	address = {Centro Studi Opera Omnia Luigi Boccherini, Lucca, Italy},
	url = {http://www.utorpheus.com},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@inbook {9,
	title = {Roberto Gerhard{\textquoteright}s BBC Sound Compositions},
	booktitle = {The Roberto Gerhard Companion},
	year = {2013},
	pages = {307-347},
	publisher = {Ashgate},
	organization = {Ashgate},
	chapter = {13},
	address = {Aldershot (England)},
	issn = {9781409445159},
	url = {http://www.ashgate.com/isbn/9781409445159},
	author = {Garc{\'\i}a-Karman, Gregorio},
	editor = {Russ, Michael and Adkins, Monty}
}
@proceedings {67,
	title = {Uprooted Sounds: International Electroacoustic Output of Spanish Pioneers in Times of Francoism},
	year = {2013},
	month = {2014},
	publisher = {Universidad Aut{\'o}noma de Madrid},
	address = {Madrid},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@conference {194,
	title = {The well-tempered Tapesichordist. On the Art of Domestic Sound Composition in the Cradle of the DNA revolution.},
	booktitle = {International Symposium on Music and Sonic Art,  MUSA},
	year = {2013},
	month = {9998},
	address = {Staatliche Hochschule f{\"u}r Musik, Karlsruhe},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@conference {193,
	title = {The Restoration Project of Roberto Gerhard{\textquoteright}s Tape Collection},
	booktitle = {Conference of the International Association for Recorded Sound (IASA)},
	year = {2012},
	month = {9998},
	address = {Delhi, India},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@proceedings {14,
	title = {Roberto Gerhard. The Electronic Music},
	year = {2012},
	address = {Ljubljana},
	url = {http://quod.lib.umich.edu/cgi/p/pod/dod-idx/electronic-music-of-roberto-gerhard.pdf?c=icmc;idno=bbp2372.2012.005},
	author = {Adkins, Monty and Duque, Carlos and Garc{\'\i}a-Karman, Gregorio}
}
@proceedings {13,
	title = {Roberto Gerhard{\textquoteright}s Tape Collection: The Electronic Music},
	year = {2010},
	publisher = {University of Huddersfield},
	address = {Huddersfield},
	url = {http://www.robertogerhard.com/wp-content/uploads/2011/10/15-Karman.pdf},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {49,
	title = {Roberto Gerhard{\textquoteright}s Tape Collection},
	year = {2008},
	month = {10/2008},
	publisher = {Cambridge University Library},
	type = {Research Report},
	address = {Cambridge},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {48,
	title = {Roberto Gerhard{\textquoteright}s Sound Archive at the Cambridge University Library},
	year = {2007},
	month = {29/12/2007},
	publisher = {Cambridge University Library},
	type = {Research Report},
	address = {Cambridge},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@article {50,
	title = {The spatialization of Karlheinz Stockhausen{\textquoteright}s Cosmic Pulses},
	year = {2007},
	month = {(unpublished)},
	publisher = {Stockhausen Foundation},
	type = {Studio Report},
	address = {K{\"u}rten},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@proceedings {8,
	title = {Una propuesta para la restauraci{\'o}n electr{\'o}nica de {\textquoteright}Planto por las v{\'\i}ctimas de la violencia{\textquoteright} de Crist{\'o}bal Halffter},
	year = {2006},
	month = {2006},
	publisher = {University of Seville},
	address = {Seville},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@proceedings {11,
	title = {Mimesis: a Visual and Musical Instrument},
	year = {2005},
	address = {Barcelona},
	url = {http://quod.lib.umich.edu/cgi/p/pod/dod-idx/mimesis-a-visual-and-musical-instrument.pdf?c=icmc;idno=bbp2372.2005.072},
	author = {Sim{\'o}, Agueda and Garc{\'\i}a-Karman, Gregorio}
}
@mastersthesis {78,
	title = {Metodolog{\'\i}a para el An{\'a}lisis de la M{\'u}sica Electroac{\'u}stica},
	volume = {Master{\textquoteright}s Diploma of Advanced Studies (DEA)},
	year = {2004},
	month = {09/2004},
	school = {Universidad Complutense de Madrid},
	type = {Master{\textquoteright}s Theses},
	address = {Madrid},
	author = {Garc{\'\i}a-Karman, Gregorio}
}
@proceedings {10,
	title = {Software development and hardware for the performance Morfogenesis. Interactive Systems for dance, electroacoustic music, video and virtual arquitecture.},
	year = {2004},
	month = {2004},
	address = {Bilbao},
	author = {Del Val, Jaime and Garc{\'\i}a-Karman, Gregorio and Gadea, Ricardo}
}
