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PUBLICATIONS
] The Studio for Electroacoustic Music at the Academy of Arts in Berlin In Music, Makers & Machines - A brief history of electronic music. Google Arts & Culture, 2021.
Historic Musical Artifacts at the Studio for Electroacoustic Music at the AdK In Music, Makers & Machines - A brief history of electronic music. Google Arts & Culture, 2021.
Roberto Gerhard's Sound Compositions: A Historical-Philological Perspective. Vol. Doctoral Thesis. Huddersfield: University of Huddersfield, 2014.
(11.92 MB)
(11.92 MB) Metodología para el Análisis de la Música Electroacústica In Departamento de Historia del Arte III (Historia y Ciencias de la Música). Vol. Master's Diploma of Advanced Studies (DEA). Madrid: Universidad Complutense de Madrid, 2004.
Annotated Catalogue of the Roberto Gerhard Tape Collection. University of Huddersfield (Submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy), 2014. (5.03 MB)
(5.03 MB) “What a smashing bloke he was!” Interview with Dick Mills. Huddersfield: University of Huddersfield, 2014. (25.59 MB)
(25.59 MB) The spatialization of Karlheinz Stockhausen's Cosmic Pulses. Kürten: Stockhausen Foundation, 2007. (4.82 MB)
(4.82 MB) Roberto Gerhard's Tape Collection. Cambridge: Cambridge University Library, 2008. (108.19 KB)
(108.19 KB) Roberto Gerhard's Sound Archive at the Cambridge University Library. Cambridge: Cambridge University Library, 2007. (653 KB)
(653 KB) "Nosotros acabamos llamándolo una 'dicta-blanda'" Interview with Andrés Lewin-Richter. Huddersfield: University of Huddersfield, 2014. (1.06 MB)
(1.06 MB) "La palpitante realidad no es estereofónica" Interview with José Luis de Delás. Huddersfield: University of Huddersfield, 2014. (925.15 KB)
(925.15 KB) "Über das Hören mit mehr als einem Ohr: Hermann Scherchens Nullstrahler." Journal der Künste, no. 2 (2017): 32-35. (1.69 MB)
(1.69 MB) "Berliner Wiederbegegnung – Frederic Rzewski und Gerhard Steinke in Gespräch mit Gregorio García Karman." Journal der Künste, no. 9 (2019): 40-42.
"Abseits des Pop. Interview mit dem Leiter des Studios für Elektroakustische Musik der Akademie der Künste." Studiomagazin 41, no. 446 (2018): 58-71. (15.2 MB)
(15.2 MB) "Sonido y Símbolo en 'Lament for the Death of a Bullfighter' de Roberto Gerhard." Quodlibet: Revista de Especialización Musical, no. 54 (2014): 53-92. (4 MB)
(4 MB) Uprooted Sounds: International Electroacoustic Output of Spanish Pioneers in Times of Francoism In JIEM - Espacios Sonoros. Madrid: Universidad Autónoma de Madrid, 2013. (4.21 MB)
(4.21 MB) Una propuesta para la restauración electrónica de 'Planto por las víctimas de la violencia' de Cristóbal Halffter In Actas del Primer Congreso Internacional de Música y Tecnología Contemporáneas. Seville: University of Seville, 2006. (1.27 MB)
(1.27 MB) Software development and hardware for the performance Morfogenesis. Interactive Systems for dance, electroacoustic music, video and virtual arquitecture. In Proceedings of Ciberart-Bilbao. Bilbao, 2004.
Roberto Gerhard's Tape Collection: The Electronic Music In Proceedings of 1st International Roberto Gerhard Conference. Huddersfield: University of Huddersfield, 2010. (1.14 MB)
(1.14 MB) Roberto Gerhard. The Electronic Music In International Computer Music Conference. Ljubljana, 2012. (1.11 MB)
(1.11 MB) Mimesis: a Visual and Musical Instrument In International Computer Music Conference. Barcelona, 2005. (1.64 MB)
(1.64 MB) "The well-tempered Tapesichordist. On the Art of Domestic Sound Composition in the Cradle of the DNA revolution." In International Symposium on Music and Sonic Art, MUSA. Staatliche Hochschule für Musik, Karlsruhe, 2013.
"The Restoration Project of Roberto Gerhard's Tape Collection." In Conference of the International Association for Recorded Sound (IASA). Delhi, India, 2012.
"Music Against the Grain." In Protest Music in the XXth Century. Luca Lévi Sala ed. Centro Studi Opera Omnia Luigi Boccherini, Lucca, Italy: Ut Orpheus (Bologna, Italy), 2013.
"Gerhard's Caligula and the ONCE Group." In Perspectives on the Reception of Roberto Gerhard. Universidad de Alcalá: Huddersfield, 2013.
"Approaching the Analysis and Reconstruction of Early Tape Music based on Magnetic Tape Sketches." In Toronto Electroacoustic Music Symposium / CEC. Toronto: Canadian Electracoustic Community, 2013.
"Sound and Symbol in Roberto Gerhard's 'Lament for the Death of a Bullfighter'." In Essays on Roberto Gerhard, edited by Monty Adkins and Michael Russ, 223-260. Cambridge: Cambridge Scholars Publishing, 2017. (14.81 MB)
(14.81 MB) "Roberto Gerhard's BBC Sound Compositions." In The Roberto Gerhard Companion, edited by Michael Russ and Monty Adkins, 307-347. Aldershot (England): Ashgate, 2013.
"Closing the Gap between Sound and Score in the Performance of Electroacoustic Music." In Sound and Score, edited by Cathleen Coessens, Paulo de Assis and William Brooks. Leuven University Press, 2013. (6.26 MB)
(6.26 MB) A Note on Roberto Gerhard's "Lament for the Death of a Bullfighter" & "Caligula": A Present for the ONCE Festival In Roberto Gerhard: Electronic Explorations from his Studio + The BBC Radiophonic Workshop. Early Electronic Series. Sub Rosa, 2014. (1.49 MB)
(1.49 MB) Cristóbal Halffter: Homo electricus. Stradivarius, 2015.